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Return-Path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Delivered-To: ncdcgo@wh1.nita.go.ug Received: from wh1.nita.go.ug by wh1.nita.go.ug with LMTP id oH10Nu5fol/oHwEAATiUCw (envelope-from <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk>) for <ncdcgo@wh1.nita.go.ug>; Wed, 04 Nov 2020 11:01:50 +0300 Return-path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Envelope-to: eresources@ncdc.go.ug Delivery-date: Wed, 04 Nov 2020 11:01:50 +0300 Received: from xtrwkdft.outbound-mail.sendgrid.net ([167.89.29.247]:38535) by wh1.nita.go.ug with esmtps (TLS1.2) tls TLS_ECDHE_RSA_WITH_AES_256_GCM_SHA384 (Exim 4.93) (envelope-from <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk>) id 1kaDjq-000KHZ-L3 for eresources@ncdc.go.ug; Wed, 04 Nov 2020 11:01:50 +0300 DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=eup.ed.ac.uk; h=content-transfer-encoding:content-type:from:mime-version:subject: reply-to:to; s=s1; bh=96cFB1nCQsVN6LI/ZQp6qcJqds8euiyVXrPpEMZGN0E=; b=JBo4WCrAiqktDFMbS7u2Q58gQhwNMQoc/xR1n+x/NnjXZkqtPH9wFAdxAJqcpR/Ao8gp 3Lad9fejhJIUUa6PjcxizrR/zbPPJCrnrIsMj5Ea1Z/Oo3kNhV8HUAYxmOSNwnrIpgKd/x 5xpRptH/aoI/XflDqElGDeEjtFlI0zJPg= Received: by filterdrecv-p3iad2-64988c98cc-n42nk with SMTP id filterdrecv-p3iad2-64988c98cc-n42nk-18-5FA25FB6-D6 2020-11-04 08:00:54.789333241 +0000 UTC m=+990351.565722095 Received: from NDkyMTk0OA (unknown) by ismtpd0002p1sjc2.sendgrid.net (SG) with HTTP id aJnyj8-rT1ST6ZQGXEiRhg Wed, 04 Nov 2020 08:00:54.655 +0000 (UTC) Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Date: Wed, 04 Nov 2020 08:00:54 +0000 (UTC) From: Edinburgh University Press <journals@eup.ed.ac.uk> Mime-Version: 1.0 Message-ID: <aJnyj8-rT1ST6ZQGXEiRhg@ismtpd0002p1sjc2.sendgrid.net> X-Atypon-Message-ID: ZW1haWw9ZXJlc291cmNlc0BuY2RjLmdvLnVnJmRhdGU9MTEtMDQtMjAyMCZtaWQ9MTQyNDU5NzE0 Subject: Romanticism Vol. 26, No. 3, October, 2020 is now available online Reply-To: journals@eup.ed.ac.uk X-SG-EID: =?us-ascii?Q?wo4KmzJ5SVnu294ZtoUuQ1p3uorDxLXgK+WX4GMkF=2FUwvsudB5W+FHf2P+NI+x?= =?us-ascii?Q?kEGjnLWDtAEVVyqxiuLq+5Kl0TpI3p7omLqYCo8?= =?us-ascii?Q?dHwxK+d5WIZv8pLufR06ixMBTgJ=2Ff79HD+0tKY2?= =?us-ascii?Q?A8xsE9TH89iFPVfLD64uTBJFRq5jqO0CY9olCVw?= =?us-ascii?Q?dHG+X6VTuFoeJaB0n8aOwMrteQEvdcb+fvMsluV?= =?us-ascii?Q?+Mjcm9qKHfqqMzMFsmOJnDsrtVRt68WaFlzG7hD?= =?us-ascii?Q?Rma6omoI914pR4khpuuo5Eue8QlCuzURXCQwNrY?= =?us-ascii?Q?=2FhM=3D?= X-SG-ID: =?us-ascii?Q?N2C25iY2uzGMFz6rgvQsb5Ct0=2Fq7=2Fe+R53bW=2FOlcRismSId3oLfxEYTlTpVpZj?= =?us-ascii?Q?4ESLy0mPUgBSfdeRN+6TKILl2RBhmC1yrHD=2FTj0?= =?us-ascii?Q?pQxWLg=3D?= To: eresources@ncdc.go.ug X-Entity-ID: XIXG8TMZRZh3Q1KkI6ybTQ== ------------------------------------------------------------------------= =20 Romanticism=20 Volume: 26, Number: 3 (October, 2020) Fungi=20 ------------------------------------------------------------------------= =20 The above issue is now available online at:=20 https://www.euppublishing.com/toc/rom/26/3?ai=3Ds9&ui=3D130c&af=3DTYour=20 Edinburgh University Press username is: eresources@ncdc.go.ug=20 The table of contents for this issue is listed below. Click the links=20 below to view the abstract for each article, or click the link above=20 to read the table of contents online. If you wish to update your=20 preferences, please visit:=20 https://www.euppublishing.com/action/showPreferences?menuTab=3DAlerts=20 If you wish to unsubscribe from this alert, please visit=20 https://www.euppublishing.com/action/removeAlert?ai=3Duxtw&sig=3DOlEzxD0= yw9w%3D=20 If you need any further help, please visit=20 https://www.euppublishing.com/customer-services=20 and click on "help".=20 ------------------------------------------------------------------------= =20 Front matter=20 Romanticism, Vol. 26, No. 3=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0472?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Jacobin Allegory in Thelwall's The Rock of Modrec=20 Michael Cameron=20 Romanticism, Vol. 26, No. 3: 223-234.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0473?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 =E2=80=98THE TOWN, THE TOWN, GOOD PIT, HAS ASSES EARS!=E2=80=99: Unstabl= e Audiences in=20 Della Cruscan Poetic Conversation=20 Katie Holdway=20 Romanticism, Vol. 26, No. 3: 235-244.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0474?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Lamb, Coleridge, and the Poetics of Publication=20 Anthony Howe=20 Romanticism, Vol. 26, No. 3: 245-254.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0475?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 The Worker in the Landscape: Constable, Marx, Poetry=20 Malcolm Kelsall=20 Romanticism, Vol. 26, No. 3: 255-266.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0476?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 The Riddles of Mazeppa; or, More Questions than Answers: Watermarks=20 and Cohabitations, April 1817=E2=80=93September 1818=20 Richard Lansdown=20 Romanticism, Vol. 26, No. 3: 267-279.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0477?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Directing the =E2=80=98Unfinished Scene=E2=80=99: Utopia and the Role of= the Poet in=20 Shelley's Hellas=20 Jonathan Quayle=20 Romanticism, Vol. 26, No. 3: 280-291.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0478?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Romantic Fungi and Other Useless Things: Arnold, Tieck, Keats=20 Peter Henning=20 Romanticism, Vol. 26, No. 3: 292-302.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0479?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Julia S. Carlson's Romantic Marks and Measures: Wordsworth's Poetry in=20 Fields of Print=20 Christopher Donaldson=20 Romanticism, Vol. 26, No. 3: 303-305.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0480?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Elizabeth Edwards's Richard Llwyd: Beaumaris Bay and Other Poems=20 Rhys Kaminski-Jones=20 Romanticism, Vol. 26, No. 3: 305-306.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0481?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Claire Knowles and Ingrid Horrocks's Charlotte Smith: Major Poetic=20 Works=20 Penny Bradshaw=20 Romanticism, Vol. 26, No. 3: 307-308.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0482?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Devoney Looser's The Making of Jane Austen and Marina Cano's Jane=20 Austen and Performance=20 Christopher Stampone=20 Romanticism, Vol. 26, No. 3: 308-311.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0483?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Heidi Thomson's Coleridge and the Romantic Newspaper: The =E2=80=98Morni= ng=20 Post=E2=80=99 and the Road to =E2=80=98Dejection=E2=80=99=20 Robin Jarvis=20 Romanticism, Vol. 26, No. 3: 311-313.=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0484?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Back matter=20 Romanticism, Vol. 26, No. 3=20 https://www.euppublishing.com/doi/10.3366/rom.2020.0485?ai=3Ds9&ui=3D130= c&af=3DT=20 ------------------------------------------------------------------------= =20 Copyright 2020 Edinburgh University Press. All Rights Reserved.=20=