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 2020 is now available online
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   ------------------------------------------------------------------------=
=20

   Journal of British Cinema and Television=20
   Volume: 17, Number: 4 (October, 2020)=20
   ------------------------------------------------------------------------=
=20
   The above issue is now available online at:=20
   https://www.euppublishing.com/toc/jbctv/17/4?ai=3Dsh&ui=3D130c&af=3DTYou=
r=20
   Edinburgh University Press username is: eresources@ncdc.go.ug=20

   The table of contents for this issue is listed below. Click the links=20
   below to view the abstract for each article, or click the link above=20
   to read the table of contents online. If you wish to update your=20
   preferences, please visit:=20
   https://www.euppublishing.com/action/showPreferences?menuTab=3DAlerts=20
   If you wish to unsubscribe from this alert, please visit=20
   https://www.euppublishing.com/action/removeAlert?ai=3Duxtk&sig=3DXM6a3Cq=
HVpY%3D=20
   If you need any further help, please visit=20
   https://www.euppublishing.com/customer-services=20
   and click on "help".=20

   ------------------------------------------------------------------------=
=20
   Front matter=20

   Journal of British Cinema and Television, Vol. 17, No. 4=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0540?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Performing the National? Scottish Cinema in the Time of Indyref=20

   Robert Munro=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 425-448.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0541?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   The Invisible Institution? Reconstructing the History of BAFTA and the=20
   1958 Merger of the British Film Academy with the Guild of Television=20
   Producers and Directors=20

   Emma Pett and Helen Warner=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 449-472.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0542?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   The Influence of =E2=80=98Psychiatrist Friends=E2=80=99 on British Film =
Censorship in=20
   the 1960s=20

   Tim Snelson and William R. Macauley=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 473-500.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0543?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Same Address, Different Doors: Post-Heritage Deconstruction of the=20
   Heritage Household in Upstairs Downstairs in the 1970s and 2010s=20

   Will Stanford Abbiss=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 501-522.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0544?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   =E2=80=98To me, art is just a guy's name=E2=80=99: Remembering Jim Cook=20

   David Lusted=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 523-530.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0545?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Norman J. Warren: A Good Learning Curve=20

   Martin Parsons=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 531-541.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0546?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Duncan Petrie, Melanie Williams and Laura Mayne (eds), Sixties British=20
   Cinema Reconsidered=20

   Sue Harper=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 542-544.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0547?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Filippo Ulivieri and Simone Odino, 2001 between Kubrick and Clarke:=20
   The Genesis, Making and Authorship of a Masterpiece=20

   James Fenwick=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 544-547.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0548?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   David Forrest, New Realism: Contemporary British Cinema=20

   Lewis Kellett=20
   Journal of British Cinema and Television, Vol. 17, No. 4: 547-549.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0549?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Back matter=20

   Journal of British Cinema and Television, Vol. 17, No. 4=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2020.0550?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Copyright 2020 Edinburgh University Press. All Rights Reserved.=20=