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Return-Path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Delivered-To: ncdcgo@wh1.nita.go.ug Received: from wh1.nita.go.ug by wh1.nita.go.ug with LMTP id OKFTD9asZV9CJQ8AATiUCw (envelope-from <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk>) for <ncdcgo@wh1.nita.go.ug>; Sat, 19 Sep 2020 10:01:42 +0300 Return-path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Envelope-to: eresources@ncdc.go.ug Delivery-date: Sat, 19 Sep 2020 10:01:42 +0300 Received: from xtrwkdft.outbound-mail.sendgrid.net ([167.89.29.247]:5665) by wh1.nita.go.ug with esmtps (TLS1.2) tls TLS_ECDHE_RSA_WITH_AES_256_GCM_SHA384 (Exim 4.93) (envelope-from <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk>) id 1kJWsP-004HwH-VI for eresources@ncdc.go.ug; Sat, 19 Sep 2020 10:01:42 +0300 DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=eup.ed.ac.uk; h=content-transfer-encoding:content-type:from:mime-version:subject: reply-to:to; s=s1; bh=xC4H/TN+3cZ0JrDUe16RIaXsjWV/2QHcj/CO9iR1MB8=; b=UX9sye9jIAmsmoqUFPbZXjwQirX3qz3BOrh57u4ncwRtGmrSFF6SsE6b4bkAX+A8DuAm 0FH7g7dD6N+ni7DC48q/rI1M4Wx0k8vuvWQySth3lgmeHjAUfG6Ggk4vy64eCkkejzUrLY l0mHSB4Dd9y7JUABQ8xpR0QBcxaNvmkRQ= Received: by filterdrecv-p3las1-c5988c487-rg5dq with SMTP id filterdrecv-p3las1-c5988c487-rg5dq-18-5F65AC9B-CE 2020-09-19 07:00:43.909505717 +0000 UTC m=+734542.965618484 Received: from NDkyMTk0OA (unknown) by ismtpd0007p1sjc2.sendgrid.net (SG) with HTTP id UuIk30q3Rd-d6RhNnaivUQ Sat, 19 Sep 2020 07:00:43.875 +0000 (UTC) Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Date: Sat, 19 Sep 2020 07:00:43 +0000 (UTC) From: Edinburgh University Press <journals@eup.ed.ac.uk> Mime-Version: 1.0 Message-ID: <UuIk30q3Rd-d6RhNnaivUQ@ismtpd0007p1sjc2.sendgrid.net> X-Atypon-Message-ID: ZW1haWw9ZXJlc291cmNlc0BuY2RjLmdvLnVnJmRhdGU9MDktMTktMjAyMCZtaWQ9MTQyNDI3MjI4 Subject: Journal of British Cinema and Television Vol. 17, No. 4, October, 2020 is now available online Reply-To: journals@eup.ed.ac.uk X-SG-EID: =?us-ascii?Q?wo4KmzJ5SVnu294ZtoUuQ1p3uorDxLXgK+WX4GMkF=2FUwvsudB5W+FHf2P+NI+x?= =?us-ascii?Q?kEGjnLWDtAEVVyqxiuLq+5Kl0TpI3p7omLqYCo8?= =?us-ascii?Q?dHwxK+ledGe=2FxfuGpQsVQXwebxwAyo5iL19gSFE?= =?us-ascii?Q?yPZ3roP7a2xy0LP2SnD1biAOR7fwM5z944KXTzr?= =?us-ascii?Q?yWiumYbB9XIGwC3ijEIuX3dgccoca+WzI=2FWw5tp?= =?us-ascii?Q?92Rmmx1pk0lj+C5TTbL9tnJziT0aGiz3bjxox20?= =?us-ascii?Q?wkeAuOIz4w9hnO0NnxAfA=3D=3D?= X-SG-ID: =?us-ascii?Q?N2C25iY2uzGMFz6rgvQsb5Ct0=2Fq7=2Fe+R53bW=2FOlcRivY6TwKfC0xpi8SmpJ75F?= =?us-ascii?Q?5Uhiu5skJR9iqFak+jVgW=2Fi=2F=2FpnqfvBuSqVUveH?= =?us-ascii?Q?BIsQGA=3D?= To: eresources@ncdc.go.ug ------------------------------------------------------------------------= =20 Journal of British Cinema and Television=20 Volume: 17, Number: 4 (October, 2020)=20 ------------------------------------------------------------------------= =20 The above issue is now available online at:=20 https://www.euppublishing.com/toc/jbctv/17/4?ai=3Dsh&ui=3D130c&af=3DTYou= r=20 Edinburgh University Press username is: eresources@ncdc.go.ug=20 The table of contents for this issue is listed below. Click the links=20 below to view the abstract for each article, or click the link above=20 to read the table of contents online. If you wish to update your=20 preferences, please visit:=20 https://www.euppublishing.com/action/showPreferences?menuTab=3DAlerts=20 If you wish to unsubscribe from this alert, please visit=20 https://www.euppublishing.com/action/removeAlert?ai=3Duxtk&sig=3DXM6a3Cq= HVpY%3D=20 If you need any further help, please visit=20 https://www.euppublishing.com/customer-services=20 and click on "help".=20 ------------------------------------------------------------------------= =20 Front matter=20 Journal of British Cinema and Television, Vol. 17, No. 4=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0540?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Performing the National? Scottish Cinema in the Time of Indyref=20 Robert Munro=20 Journal of British Cinema and Television, Vol. 17, No. 4: 425-448.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0541?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 The Invisible Institution? Reconstructing the History of BAFTA and the=20 1958 Merger of the British Film Academy with the Guild of Television=20 Producers and Directors=20 Emma Pett and Helen Warner=20 Journal of British Cinema and Television, Vol. 17, No. 4: 449-472.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0542?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 The Influence of =E2=80=98Psychiatrist Friends=E2=80=99 on British Film = Censorship in=20 the 1960s=20 Tim Snelson and William R. Macauley=20 Journal of British Cinema and Television, Vol. 17, No. 4: 473-500.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0543?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Same Address, Different Doors: Post-Heritage Deconstruction of the=20 Heritage Household in Upstairs Downstairs in the 1970s and 2010s=20 Will Stanford Abbiss=20 Journal of British Cinema and Television, Vol. 17, No. 4: 501-522.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0544?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 =E2=80=98To me, art is just a guy's name=E2=80=99: Remembering Jim Cook=20 David Lusted=20 Journal of British Cinema and Television, Vol. 17, No. 4: 523-530.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0545?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Norman J. Warren: A Good Learning Curve=20 Martin Parsons=20 Journal of British Cinema and Television, Vol. 17, No. 4: 531-541.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0546?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Duncan Petrie, Melanie Williams and Laura Mayne (eds), Sixties British=20 Cinema Reconsidered=20 Sue Harper=20 Journal of British Cinema and Television, Vol. 17, No. 4: 542-544.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0547?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Filippo Ulivieri and Simone Odino, 2001 between Kubrick and Clarke:=20 The Genesis, Making and Authorship of a Masterpiece=20 James Fenwick=20 Journal of British Cinema and Television, Vol. 17, No. 4: 544-547.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0548?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 David Forrest, New Realism: Contemporary British Cinema=20 Lewis Kellett=20 Journal of British Cinema and Television, Vol. 17, No. 4: 547-549.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0549?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Back matter=20 Journal of British Cinema and Television, Vol. 17, No. 4=20 https://www.euppublishing.com/doi/10.3366/jbctv.2020.0550?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Copyright 2020 Edinburgh University Press. All Rights Reserved.=20=