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Subject: Journal of British Cinema and Television Vol. 16, No. 2, April, 2019
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 Content preview:  Journal of British Cinema and Television Volume: 16, Number:
    2 (April, 2019) The above issue is now available online at: https [...] 
 
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   ------------------------------------------------------------------------=
=20

   Journal of British Cinema and Television=20
   Volume: 16, Number: 2 (April, 2019)=20
   ------------------------------------------------------------------------=
=20
   The above issue is now available online at:=20
   https://www.euppublishing.com/toc/jbctv/16/2?ai=3Dsh&ui=3D130c&af=3DTYou=
r=20
   Edinburgh University Press username is: eresources@ncdc.go.ug=20

   The table of contents for this issue is listed below. Click the links=20
   below to view the abstract for each article, or click the link above=20
   to read the table of contents online. If you wish to update your=20
   preferences, please visit:=20
   https://www.euppublishing.com/action/showPreferences?menuTab=3DAlerts=20
   If you wish to unsubscribe from this alert, please visit=20
   https://www.euppublishing.com/action/removeAlert?ai=3Duxtk&sig=3DXM6a3Cq=
HVpY%3D=20
   If you need any further help, please visit=20
   https://www.euppublishing.com/customer-services=20
   and click on "help".=20

   ------------------------------------------------------------------------=
=20
   Front matter=20

   Journal of British Cinema and Television, Vol. 16, No. 2=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0464?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Representations of British Chinese Identities and British Television=20
   Drama: Mapping the Field=20

   Simone Knox=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 125-145.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0465?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Back to the Future: The Uses of Television in the Digital Age=20

   Michael Bailey=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 146-169.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0466?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   =E2=80=98It's spiritual, man=E2=80=99: Eddie the Eagle and English Amate=
urism=20

   Matthew Robinson=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 170-190.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0467?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Shock Value: Audiences on the Censorship of A Serbian Film=20

   Martin Ian Smith=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 191-212.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0468?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   =E2=80=98Another, more sinister reality=E2=80=99: Class, Youth and Psych=
opathology=20
   from Saturday Night and Sunday Morning to Endless Night=20

   Mark Jancovich=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 213-232.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0469?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Freelance Networks, Trade Unions and Below-the-Line Solidarity in=20
   Regional Film and Television Clusters: An Interview with the Bristol=20
   Editors Network=20

   Steve Presence=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 233-249.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0470?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Bryan Cardinale-Powell and Marc DiPaolo (eds), Devised and Directed by=20
   Mike Leigh=20

   Sean O'Sullivan=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 250-252.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0471?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Stephanie Fremaux, The Beatles on Screen: From Pop Stars to Musicians=20

   Stephen Glynn=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 252-255.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0472?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Stephen Glynn, The British Football Film=20

   Dilwyn Porter=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 255-257.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0473?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Pam Hirsch and Chris O'Rourke (eds), London on Film=20

   Stephen Morgan=20
   Journal of British Cinema and Television, Vol. 16, No. 2: 257-260.=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0474?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Back matter=20

   Journal of British Cinema and Television, Vol. 16, No. 2=20
   https://www.euppublishing.com/doi/10.3366/jbctv.2019.0475?ai=3Dsh&ui=3D1=
30c&af=3DT=20

   ------------------------------------------------------------------------=
=20
   Copyright 2019 Edinburgh University Press. All Rights Reserved.=20=