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Return-Path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Delivered-To: ncdcgo@c1.nita.go.ug Received: from c1.nita.go.ug by c1.nita.go.ug with LMTP id KFu0GFRDrFxkKwAAmTLWoA (envelope-from <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk>) for <ncdcgo@c1.nita.go.ug>; Tue, 09 Apr 2019 09:01:40 +0200 Return-path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Envelope-to: eresources@ncdc.go.ug Delivery-date: Tue, 09 Apr 2019 09:01:40 +0200 Received: from o48.em.eup.ed.ac.uk ([167.89.29.247]:57493) by c1.nita.go.ug with esmtps (TLSv1.2:ECDHE-RSA-AES256-GCM-SHA384:256) (Exim 4.91) (envelope-from <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk>) id 1hDklC-0007Wv-0o for eresources@ncdc.go.ug; Tue, 09 Apr 2019 09:01:40 +0200 DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=eup.ed.ac.uk; h=content-transfer-encoding:content-type:from:mime-version:reply-to: subject:to; s=s1; bh=ycl7idCrPL5vEFkIagqy6gUiPjr63Bo/muTyvmr8gSA=; b=kqqEzVAMZXvHZvLnZMKGKLM1IrjObYWueZD44IjGXhGW/q8CMn033guTxeT3sxp6kwBb sx2I78ZA0VTWB2mXHt3ED1oO67woFLSIrMoiS8lwIFgG+cQdi59+LTcEr2TG9tKYM0ltK7 1RYGvfD3xiWHFe1Xo12muLnzyhgamH7uw= Received: by filter0062p3mdw1.sendgrid.net with SMTP id filter0062p3mdw1-32244-5CAC434A-3B 2019-04-09 07:01:30.968730627 +0000 UTC m=+29976.801602852 Received: from NDkyMTk0OA (unknown [65.156.1.43]) by ismtpd0024p1las1.sendgrid.net (SG) with HTTP id v446vNu0Q8OVp6knYOvnCw Tue, 09 Apr 2019 07:01:30.860 +0000 (UTC) Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Date: Tue, 09 Apr 2019 07:01:31 +0000 (UTC) From: Edinburgh University Press <journals@eup.ed.ac.uk> Mime-Version: 1.0 Message-ID: <v446vNu0Q8OVp6knYOvnCw@ismtpd0024p1las1.sendgrid.net> X-Atypon-Message-ID: ZW1haWw9ZXJlc291cmNlc0BuY2RjLmdvLnVnJmRhdGU9MDQtMDktMjAxOSZtaWQ9MTQyMDUyMzU2 Reply-To: journals@eup.ed.ac.uk Subject: Journal of British Cinema and Television Vol. 16, No. 2, April, 2019 is now available online X-SG-EID: =?us-ascii?Q?wo4KmzJ5SVnu294ZtoUuQ1p3uorDxLXgK+WX4GMkF=2FUwvsudB5W+FHf2P+NI+x?= =?us-ascii?Q?kEGjnLWDtAEVVyqxiuLq+5Kl0TpI3p7omLqYCo8?= =?us-ascii?Q?dHwxK=2FInKcMBOgPyN3tGAZ4Mg58Ikg2ddIIJtgh?= =?us-ascii?Q?eIJz22kAv+3AJ6FuFQDPVbC5G6E5ckuNp=2FGyBEe?= =?us-ascii?Q?mK=2Ft4bN5wItdoONB73T=2Fmb0BCNNeEYAIuESnIQj?= =?us-ascii?Q?qnJSYs=2FYUjgZFXxXd1JnrLUPqCYWH+bk2+93qzq?= =?us-ascii?Q?oXCyQy6=2F+iT1eBaYbv67w=3D=3D?= X-SG-ID: =?us-ascii?Q?N2C25iY2uzGMFz6rgvQsb5Ct0=2Fq7=2Fe+R53bW=2FOlcRivY6TwKfC0xpi8SmpJ75F?= =?us-ascii?Q?5Uhiu5skJR9iqFak+jVgW=2Fi1U+OFZQoQY44PesV?= =?us-ascii?Q?JAkCOk=3D?= To: eresources@ncdc.go.ug X-Spam-Status: No, score=0.7 X-Spam-Score: 7 X-Spam-Bar: / X-Ham-Report: Spam detection software, running on the system "c1.nita.go.ug", has NOT identified this incoming email as spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see root\@localhost for details. Content preview: Journal of British Cinema and Television Volume: 16, Number: 2 (April, 2019) The above issue is now available online at: https [...] Content analysis details: (0.7 points, 5.0 required) pts rule name description ---- ---------------------- -------------------------------------------------- -0.0 BAYES_20 BODY: Bayes spam probability is 5 to 20% [score: 0.0502] 0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked. See http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block for more information. [URIs: euppublishing.com] -0.0 SPF_PASS SPF: sender matches SPF record -0.1 DKIM_VALID Message has at least one valid DKIM or DK signature -0.1 DKIM_VALID_AU Message has a valid DKIM or DK signature from author's domain 0.1 DKIM_SIGNED Message has a DKIM or DK signature, not necessarily valid 0.8 KAM_ASCII_DIVIDERS Spam that uses ascii formatting tricks X-Spam-Flag: NO ------------------------------------------------------------------------= =20 Journal of British Cinema and Television=20 Volume: 16, Number: 2 (April, 2019)=20 ------------------------------------------------------------------------= =20 The above issue is now available online at:=20 https://www.euppublishing.com/toc/jbctv/16/2?ai=3Dsh&ui=3D130c&af=3DTYou= r=20 Edinburgh University Press username is: eresources@ncdc.go.ug=20 The table of contents for this issue is listed below. Click the links=20 below to view the abstract for each article, or click the link above=20 to read the table of contents online. If you wish to update your=20 preferences, please visit:=20 https://www.euppublishing.com/action/showPreferences?menuTab=3DAlerts=20 If you wish to unsubscribe from this alert, please visit=20 https://www.euppublishing.com/action/removeAlert?ai=3Duxtk&sig=3DXM6a3Cq= HVpY%3D=20 If you need any further help, please visit=20 https://www.euppublishing.com/customer-services=20 and click on "help".=20 ------------------------------------------------------------------------= =20 Front matter=20 Journal of British Cinema and Television, Vol. 16, No. 2=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0464?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Representations of British Chinese Identities and British Television=20 Drama: Mapping the Field=20 Simone Knox=20 Journal of British Cinema and Television, Vol. 16, No. 2: 125-145.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0465?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Back to the Future: The Uses of Television in the Digital Age=20 Michael Bailey=20 Journal of British Cinema and Television, Vol. 16, No. 2: 146-169.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0466?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 =E2=80=98It's spiritual, man=E2=80=99: Eddie the Eagle and English Amate= urism=20 Matthew Robinson=20 Journal of British Cinema and Television, Vol. 16, No. 2: 170-190.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0467?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Shock Value: Audiences on the Censorship of A Serbian Film=20 Martin Ian Smith=20 Journal of British Cinema and Television, Vol. 16, No. 2: 191-212.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0468?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 =E2=80=98Another, more sinister reality=E2=80=99: Class, Youth and Psych= opathology=20 from Saturday Night and Sunday Morning to Endless Night=20 Mark Jancovich=20 Journal of British Cinema and Television, Vol. 16, No. 2: 213-232.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0469?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Freelance Networks, Trade Unions and Below-the-Line Solidarity in=20 Regional Film and Television Clusters: An Interview with the Bristol=20 Editors Network=20 Steve Presence=20 Journal of British Cinema and Television, Vol. 16, No. 2: 233-249.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0470?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Bryan Cardinale-Powell and Marc DiPaolo (eds), Devised and Directed by=20 Mike Leigh=20 Sean O'Sullivan=20 Journal of British Cinema and Television, Vol. 16, No. 2: 250-252.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0471?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Stephanie Fremaux, The Beatles on Screen: From Pop Stars to Musicians=20 Stephen Glynn=20 Journal of British Cinema and Television, Vol. 16, No. 2: 252-255.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0472?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Stephen Glynn, The British Football Film=20 Dilwyn Porter=20 Journal of British Cinema and Television, Vol. 16, No. 2: 255-257.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0473?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Pam Hirsch and Chris O'Rourke (eds), London on Film=20 Stephen Morgan=20 Journal of British Cinema and Television, Vol. 16, No. 2: 257-260.=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0474?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Back matter=20 Journal of British Cinema and Television, Vol. 16, No. 2=20 https://www.euppublishing.com/doi/10.3366/jbctv.2019.0475?ai=3Dsh&ui=3D1= 30c&af=3DT=20 ------------------------------------------------------------------------= =20 Copyright 2019 Edinburgh University Press. All Rights Reserved.=20=