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From: "journals@eup.ed.ac.uk" <journals@eup.ed.ac.uk>
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Subject: Journal of British Cinema and Television Vol. 15, No. 4, October, 2018 is now available online
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Content preview: Journal of British Cinema and Television Volume: 15, Number:
4 (October, 2018)
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------------------------------------------------------------------------=
=20
Journal of British Cinema and Television=20
Volume: 15, Number: 4 (October, 2018)=20
------------------------------------------------------------------------=
=20
The above issue is now available online at:=20
https://www.euppublishing.com/toc/jbctv/15/4?ai=3Dsh&ui=3D130c&af=3DTYou=
r=20
Edinburgh University Press username is: eresources@ncdc.go.ug=20
The table of contents for this issue is listed below. Click the links=20
below to view the abstract for each article, or click the link above=20
to read the table of contents online. If you wish to update your=20
preferences, please visit:=20
https://www.euppublishing.com/action/showPreferences?menuTab=3DAlerts=20
If you wish to unsubscribe from this alert, please visit=20
https://www.euppublishing.com/action/removeAlert?ai=3Duxtk&sig=3DXM6a3Cq=
HVpY%3D=20
If you need any further help, please visit=20
https://www.euppublishing.com/customer-services=20
and click on "help".=20
------------------------------------------------------------------------=
=20
Front matter=20
Journal of British Cinema and Television, Vol. 15, No. 4=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0437?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
The Colour of Social Realism=20
Sarah Street=20
Journal of British Cinema and Television, Vol. 15, No. 4: 469-490.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0438?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
A Licence Not to Censor: The Cinematograph Act 1909 in Scotland=20
Julia Bohlmann=20
Journal of British Cinema and Television, Vol. 15, No. 4: 491-512.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0439?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
The Picaro and the Prole, the Spiv and the Honest Tommy in Leon=20
Griffiths's Minder=20
Stephen Baker and Paddy Hoey=20
Journal of British Cinema and Television, Vol. 15, No. 4: 513-531.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0440?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
Surviving The Jungle Book: Trans-temporal Ventriloquism in Ian Iqbal=20
Rashid's Surviving Sabu=20
Ana Cristina Mendes=20
Journal of British Cinema and Television, Vol. 15, No. 4: 532-552.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0441?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
An Ordinary Spectacle: Critical Responses to Fantasy and Whimsy in=20
Looking for Eric and The Angels=E2=80=99 Share=20
Carolyn Rickards=20
Journal of British Cinema and Television, Vol. 15, No. 4: 553-570.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0442?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
Cannibals and Capital: George King's Sweeney Todd (1936) and=20
Representations of Class, Empire and Wealth=20
Gyllie Phillips=20
Journal of British Cinema and Television, Vol. 15, No. 4: 571-588.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0443?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
The European Producer: Simon Perry=20
Andrew Spicer=20
Journal of British Cinema and Television, Vol. 15, No. 4: 589-608.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0444?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
Film Appreciation: From Education to Consumption=20
Vincent Porter=20
Journal of British Cinema and Television, Vol. 15, No. 4: 609-617.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0445?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
John Caughie, Trevor Griffiths and Mar=C3=ADa A. V=C3=A9lez-Serna (eds),=
Early=20
Cinema in Scotland=20
John Izod=20
Journal of British Cinema and Television, Vol. 15, No. 4: 618-620.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0446?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
James Chapman, Hitchcock and the Spy Film=20
Tom Ryall=20
Journal of British Cinema and Television, Vol. 15, No. 4: 620-623.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0447?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
Paul Newland (ed.), British Rural Landscapes on Film=20
Sue Harper=20
Journal of British Cinema and Television, Vol. 15, No. 4: 623-625.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0448?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
Simon Dawes, British Broadcasting and the Public-Private Dichotomy=20
Nicholas Garnham=20
Journal of British Cinema and Television, Vol. 15, No. 4: 625-627.=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0449?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
Back matter=20
Journal of British Cinema and Television, Vol. 15, No. 4=20
https://www.euppublishing.com/doi/10.3366/jbctv.2018.0450?ai=3Dsh&ui=3D1=
30c&af=3DT=20
------------------------------------------------------------------------=
=20
Copyright 2018 Edinburgh University Press. All Rights Reserved.=20=