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Return-Path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Delivered-To: ncdcgo@c1.nita.go.ug Received: from c1.nita.go.ug by c1.nita.go.ug with LMTP id 0AOIIe2Zjlt1/xMAmTLWoA for <ncdcgo@c1.nita.go.ug>; Tue, 04 Sep 2018 16:42:53 +0200 Return-path: <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk> Envelope-to: eresources@ncdc.go.ug Delivery-date: Tue, 04 Sep 2018 16:42:53 +0200 Received: from o48.em.eup.ed.ac.uk ([167.89.29.247]:20392) by c1.nita.go.ug with esmtps (TLSv1.2:ECDHE-RSA-AES256-GCM-SHA384:256) (Exim 4.91) (envelope-from <bounces+4921948-4578-eresources=ncdc.go.ug@em.eup.ed.ac.uk>) id 1fxCXI-005rNX-Ru for eresources@ncdc.go.ug; Tue, 04 Sep 2018 16:42:53 +0200 DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; d=eup.ed.ac.uk; h=content-transfer-encoding:content-type:from:mime-version:to:subject; s=s1; bh=MBqFfq38lnrN1htsOlQv+c5vYU4=; b=UAbN0yvYzPrDGEEMUHo9snW yA85DN/GXTidRX2EUk0CE+kXIZqCRvvPba6mHcFYyLDNGUqh7zcZMtMYaVb7pm5B bKLm6L6z8EI5kRotqx0LCHicaCAkXqWQYX+FRVb4MYIZRX1R0mPum6sEz8mxkvII HR3myQ2Y30nUyh31uk7w= Received: by filter0133p3las1.sendgrid.net with SMTP id filter0133p3las1-23938-5B8E99D5-7 2018-09-04 14:42:29.166854903 +0000 UTC m=+7215.409292163 Received: from NDkyMTk0OA (prod103.literatumonline.com [65.156.1.43]) by ismtpd0003p1sjc2.sendgrid.net (SG) with HTTP id of6WVNvUQ7yq0pcnModpWw Tue, 04 Sep 2018 14:42:29.132 +0000 (UTC) Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=UTF-8 Date: Tue, 04 Sep 2018 14:42:29 +0000 (UTC) From: "journals@eup.ed.ac.uk" <journals@eup.ed.ac.uk> Mime-Version: 1.0 To: eresources@ncdc.go.ug Message-ID: <of6WVNvUQ7yq0pcnModpWw@ismtpd0003p1sjc2.sendgrid.net> Subject: The New Soundtrack Vol. 8, No. 2, September, 2018 is now available online X-Atypon-Message-ID: ZW1haWw9ZXJlc291cmNlc0BuY2RjLmdvLnVnJmRhdGU9MDktMDQtMjAxOCZtaWQ9MTQxOTU3MzMx X-SG-EID: 74ce3mzVjiVI1LmErTIcoDOg1EOyEgUlGmcJ/qRU+1JCoexYY8Eav4LGD+gdBF488Iixft8k3Jjnnq Dj54BT0IzBTE5olRgMKr2BGtG0FaI4f4VYMqEoqXUNj/KNiNgxSBHSSh0kBXoL3YXews/wW49Hl/vu DV3GmuZnVu8fFmDxdl4A5n1F9ycTPI922mxmoBmtdM14hK/ZZq+HkcZMuE3+QBsDRLXBgfiWlfGt8x 2fIwULA+fLrFFq1t1dHrSX X-SG-ID: 833IhK56bBi8plrdvGabnUVrCby6c7NvElGYKEMGF7OSeUwAAwVuYYre443DoBxbR487r4UbzXFZQl 7zcnDpqw== X-Spam-Status: No, score=0.7 X-Spam-Score: 7 X-Spam-Bar: / X-Ham-Report: Spam detection software, running on the system "c1.nita.go.ug", has NOT identified this incoming email as spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see root\@localhost for details. Content preview: The New Soundtrack Volume: 8, Number: 2 (September, 2018) Content analysis details: (0.7 points, 5.0 required) pts rule name description ---- ---------------------- -------------------------------------------------- 0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked. See http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block for more information. [URIs: euppublishing.com] -0.0 SPF_PASS SPF: sender matches SPF record -0.1 DKIM_VALID_AU Message has a valid DKIM or DK signature from author's domain -0.1 DKIM_VALID Message has at least one valid DKIM or DK signature 0.1 DKIM_SIGNED Message has a DKIM or DK signature, not necessarily valid 0.8 KAM_ASCII_DIVIDERS Spam that uses ascii formatting tricks X-Spam-Flag: NO ------------------------------------------------------------------------= =20 The New Soundtrack=20 Volume: 8, Number: 2 (September, 2018)=20 ------------------------------------------------------------------------= =20 The above issue is now available online at:=20 https://www.euppublishing.com/toc/sound/8/2?ai=3D14i&ui=3D130c&af=3DTYou= r=20 Edinburgh University Press username is: eresources@ncdc.go.ug=20 The table of contents for this issue is listed below. Click the links=20 below to view the abstract for each article, or click the link above=20 to read the table of contents online. If you wish to update your=20 preferences, please visit:=20 https://www.euppublishing.com/action/showPreferences?menuTab=3DAlerts=20 If you wish to unsubscribe from this alert, please visit=20 https://www.euppublishing.com/action/removeAlert?ai=3Duxtq&sig=3DWIx%2Bj= zvpr%2BQ%3D=20 If you need any further help, please visit=20 https://www.euppublishing.com/customer-services=20 and click on "help".=20 ------------------------------------------------------------------------= =20 Front matter=20 The New Soundtrack, Vol. 8, No. 2=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0121?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Editorial=20 The New Soundtrack, Vol. 8, No. 2: 87-89.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0122?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Symphonies of Noise: The Urban Soundscape in Rouben Mamoulian's=20 Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight=20 Dominic Power=20 The New Soundtrack, Vol. 8, No. 2: 91-101.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0123?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Music as an Element of Narration in Poetic Documentaries=20 Kerstin Stutterheim=20 The New Soundtrack, Vol. 8, No. 2: 103-117.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0124?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Embodied Resonances: The Sonic Pathways in Jean-Marc Vall=C3=A9e's film= =20 Wild=20 Alison Walker=20 The New Soundtrack, Vol. 8, No. 2: 119-134.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0125?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Shepard Tones and Production of Meaning in Recent Films: Lucrecia=20 Martel's Zama and Christopher Nolan's Dunkirk=20 Eleonora Rapan=20 The New Soundtrack, Vol. 8, No. 2: 135-144.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0126?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 From Screenwriting for Sound to Film Sound Maps: The Evolution of Live= =20 Tone's Creative Alliance with Bong Joon-ho=20 Nikki J. Y. Lee and Julian Stringer=20 The New Soundtrack, Vol. 8, No. 2: 145-159.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0127?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Some Notes on the Use of Voice-Over=20 Roger Crittenden=20 The New Soundtrack, Vol. 8, No. 2: 161-168.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0128?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Approaches to Sound Design: Murch and Burtt=20 Gustavo Costantini=20 The New Soundtrack, Vol. 8, No. 2: 169-174.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0129?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Presentation at the 2015 School of Sound=20 Peter Sellars=20 The New Soundtrack, Vol. 8, No. 2: 175-185.=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0130?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Back matter=20 The New Soundtrack, Vol. 8, No. 2=20 https://www.euppublishing.com/doi/10.3366/sound.2018.0131?ai=3D14i&ui=3D= 130c&af=3DT=20 ------------------------------------------------------------------------= =20 Copyright 2018 Edinburgh University Press. All Rights Reserved.=20=